exhibition

UnBecoming: An Annotated Exhibition

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description

This exhibition features a new series of large-scale, drawing-based digital prints investigating the problematics of self-portraiture, along with an installation that annotates my creative process within the development of this work.

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The Hand Lettering How-To

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The Hand Lettering How-to was an exhibition piece displayed at the Type Brigade No. 29 event in December 2015. 

This interactive display was designed to teach the user about hand lettering and the different styles in which it can be drawn. Posters include descriptions of each style and techniques to consider while creating the letterforms. 

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Beijing Institute of Graphic Communications-Exhibition Design Course: Exhibition Design--Scale Models-Research and Design Theme--"56 Ethnic Minority Groups of China" Spring 2012

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In Spring of 2012, Sam was appointed Honourary Professor, Beijing Institute of Graphic Communication. He worked with 47 First Year Students and 30 Master's students on the theme of "56 Ethnic Minority Groups of China". The First Year students expressed their ideas and reseach in the form of a scale-model that utilized image, artefacts, colour and patterns associated with each of the 56 Ethnic Minority Groups of China.

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Malaysia/Canada Indigenous Communities Applied Arts Exhibition

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In Spring and Fall of 2011, co-curators; Associate Professor Salmah Abu Mansor, scholar and Senior Research Fellow-Institute of Ethnic Studies, National University of Malaysia, Malaysia and Sam Carter, Professor Emeritus-Emily Carr University of Art and Design, Vancouver, British Columbia, Canada selected applied arts from indigenous communities across Malaysia and Canada.

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Malaysia/Canada Indigenous Communities Applied Arts Exhibition

description

In Spring and Fall of 2011, co-curators; Associate Professor Salmah Abu Mansor, scholar and Senior Research Fellow-Institute of Ethnic Studies, National University of Malaysia, Malaysia and Sam Carter, Professor Emeritus-Emily Carr University of Art and Design, Vancouver, British Columbia, Canada selected applied arts from indigenous communities across Malaysia and Canada.

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Bhangra.me

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This ebook design is a group project in collaboration with the Museum of Vancouver to create an ebook for its Bhangra.me exhibit that runs from May 5th, 2011 until January 1st, 2012.

Quoting Museum of Vancouver, "Bhangra is a Punjabi folk dance and music that combines lyrical couplets, a strong dhol drum beat, and flowing, graceful movements. What we call Bhangra dance today is really a collection of different folk dances that originated in the Punjab region of Pakistan and India."

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QR_U (an open school) - Questions, Responses & Unofficial Conversations

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description

 QR_U can be described as a relational and networked project that intends to make visible the inside of an open school and to distribute the school's inquiry widely. Participants are presented with a series of questions about their relationship with the arts, learning and technology. 'QR’ in the project title is a play on the abbreviated form of QR code, which actually stands for Quick Response.

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Tresury of Candian Craft Travelling Exhibition, Canada, US, Hong Kong

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This collection was selected from across the regions of Canada to celebrate Canadian Craft. The exhibtion travled across Canada, US and Asia.  It was the largest ever travelling curated exhibition of Canadian craft in history.

 

 

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Fabrica

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Project Fabrica is one of my Graduation project at Emily Carr University. It was showcased in the 2011 Emily Carr Degree Exhibition.

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