WRITING
BOOK
Gigliotti, C.(Ed.) (2009). Leonardo's Choice:Genetic technologies and animals. Dorchedt, Netherlands:Springer.
BOOK CHAPTERS
Gigliotti, C. (2008) “Sustaining Creativity and the Loss of the Wild” In M. Alexenberg (ed.) Educating Artists in a Digital Age: Learning at the Intersections of Art, Science,Technology and Culture, Bristol, UK: Intellect Press/Chicago: University of Chicago Press
Gigliotti, C. (2008). “Leonardo’s Choice: the ethics of artists working with genetic technologies.” Reprinted in Gill, Satinder (ed.) Cognition, Communication and Interaction: Transdisciplinary Perspectives on Interactive Technology. London: Springer Verlag. pp. 536-548.
Gigliotti, C. (2006) “Introduction” In C. Gigliotti, (ed.) Special Issue: Genetic Technologies and Animals AI and Society 20.1
Gigliotti, C. (2002) "What is Consiousness for?" Colin Beardon and Lone Malmborg (eds.) Digital Creativity: A Reader. Innovations in Art and Design (Routledge).
Gigliotti, C. (1999) “The Ethical Life of the Digital Aesthetic.” P. Lunenfeld, (ed.) The Digital Dialectic: New Essays on New Media. Cambridge, Massachusetts: The MIT Press.
Gigliotti, C. (1997) “Aesthetics of Interactive Technology.” In D. Gregory (Ed.) New technologies and Art Education, Reston, Virginia: NAEA.
ESSAYS
Gigliotti, C. (2010) "Heartburn: Indigestion, Contention, and Animals in Contemporary Art. Antennae: The Journal of Nature in Visual Culture. Issue 12, Fall. (in press)
Gigliotti, C.(2009) "Artificial LIfe and the Lives of the Non-human." Antennae: The Journal of Nature in Visual Culture. Issue 9, Spring, p. 17-31. (New Version of 2005 essay)
Gigliotti, C. (2006) “Leonardo’s
Choice: the ethics of artists working with genetic technologies.”
In C. Gigliotti, (ed.) Special Issue: Genetic Technologies and Animals AI and Society 20.1
Baker, S. and Gigliotti, C. (2006) “We
have always been transgenic: a dialogue.” In C.Gigliotti
(ed.) Special Issue: Genetic Technologies and Animals AI and Society
20.1
Gigliotti, C. (2005) “Artificial
Life and the Lives of the Non-human” Parachute119:
06 (05).
Gigliotti, C. (2005) “Shifting Vision: the
importance of metaphor in the recent work of M.Simon Levin.”
In L. Davison (ed.) C.H.A.R.T. (SAG Publications: Surrey,
BC ).
Gigliotti, C. (2003) “Women and Aesthetics
of New Media.” trAce Online Writing Center <http://trace.ntu.ac.uk/Opinion/index.cfm>
(20 June/2003).
Gigliotti, C. (2002) "Reverie,
Osmose and Ephemere; Carol Gigliotti interviews Char Davies."
n. paradoxa 9:(Eco)Logical, p. 64-73.
Gigliotti, C. (2001) "Gigliotti/Laiwan/Cutler:
Cyberplace" K. Henry, (ed.) Art is All Over.(Emily Carr
Institute of Art and Design).
Gigliotti, C. (2001) "The Prerogative to Change
Our Minds: The Work of Nancy Paterson" in L.Davison (ed.) Nature:
Autobiographies in New Media by Nancy Paterson (SAG Publications:
Surrey, BC ).
Gigliotti, C. (1999), “The Aesthetics of Virtual
Environments and Our Place in Nature.” Abstracts 1999: College
Art Associations’ 87th Annual Conference, Los Angeles , California,
74.
Gigliotti, C. (1998). “Bridge
To, Bridge From: The Arts, Education and Technology.” Leonardo:
Journal of the International Society for the Arts, Sciences and Technology
31(2).
Gigliotti, C. (1998). “What is Consciousness
For?” Digital Creativity 9(1), p.33-37.
Gigliotti, C. (1998) “The Metaphoric Environment
of Art and Technology.” Abstracts of Consciousness Reframed:
Second International CAiiA (Centre for Advanced Inquiry in the Interactive
Arts) Research Conference. University of Wales College, Newport.
22.
Gigliotti, C. (1998) The Diverse Meanings of Artificial
Life. Proceedings of ISEA97: International Symposium on Electronic
Art, The Art Institute of Chicago, Chicago, Illinois.
Gigliotti, C. (1997) "What is Consciousness
For?" Proceedings of Consciousness Reframed: First International
CAiiA (Centre for Advanced Inquiry in the Interactive Arts) Research
Conference. University of Wales College, Newport. 89-95.
Gigliotti, C. (1997). Bridge To, Bridge from: Arts,
education and technology. Proceedings of ISEA96: International
Symposium on Electronic Art, Rotterdam, The Netherlands. 73-75.
Gigliotti, C. (1996) “The Bridge”. In
Critical Essays, Visual Proceedings: The Art and Interdisciplinary
programs of SIGGRAPH 96. New York: ACM SIGGRAPH.
Gigliotti, C. (1995) “ Gender and Technology:
what problem?” In University of Montreal (Ed.). Proceedings
of the ISEA95 Montreal the Sixth International Symposium on Electronic
Art Montreal: University of Montreal.
Gigliotti, C. (1995) “Aesthetics of a Virtual
World.” Leonardo: Journal of the International Society for
the Arts, Sciences and technology. 28 (4).
Gigliotti, C. (1995) “The Values of Perception.”
Catalogue essay for the 1995 tri-site ACCAD exhibit The Processing
of Perception. Wexner Center for the Arts, Martin Luther King
Arts Complex, and the Center of Science and Industry, Columbus, Ohio.
Also on CD-ROM. Columbus, Ohio: ACCAD.
Gigliotti, C. (1994) “ What Animals and Children
Know That We Don’t.” In M. Tarka (Ed.). Proceedings
of the Fifth International Symposium for Electronic Art 94, Helsinki,
Finland: University of Art and Design, UIAH.
Gigliotti, C. (1994) “The Wisdom of Purpose.”
Catalogue essay for Softworlds 2.1:The Imperial Message.
Wexner Center for the Arts: Columbus, OH.
Gigliotti, C. (1993) Aesthetics of a Virtual
World: Ethical Issues in Interactive Technological Design. (Doctoral
dissertation, The Ohio State University, 1993). Dissertation Abstracts
International.
Gigliotti, C. (1992). “VR, or the Modern Frankenstein.” Interface, 4(2).