Visual examples
SURFACE
PRINCIPLES OF ORGANIZATION based on cohesion
Positive & Negative space
bike
animal

Positive area: recognizable objects / active
Negative area: unoccupied space / passive
Repetition
same shape
with variations
Rhythm
fractal
nature
art
Pattern
folk
nature (arrangement of units)
Motif (unit of arrangement)
nature
crystal
Variety
(counterweight of harmony)
food
objects
Balance (gravity)
horizontal
vertical
radial
Symmetry
mirror
³occult²
harmony of contrasts
(balance of disbalance)

PROPORTION
Golden section ration 1: 1.61
spiral
Dominance
(crescendo, spotlight, culmination)
diagonal
vertical
Movement (no dead
spots on picture frame)
dance
speed 
Economy (essentials,
relating the particular to the whole)
sculpture
shape ![]()
Atmosphere
artificial
natural
LINE
emotion

edge

outline

contour
blind 
calligraphic

photo based line
PHYSICAL CHARACTER OF LINE
Measure (length & width) heavy & thin
Heavy
light 
Straight
curved 
Direction:
Horizontal
vertical + diagonal
Location
(location of line in composition)
Character (media)
pencil
ink 
Expressive
abstract
Continuous still-life
landscape 
LINE AND OTHER ELEMENTS
Volume
shape
texture
Advancing & receding
in color + line
Gesture

Deleted line
Spatial line
negative space
SHAPE
Gestalt = Form (to connect the dots) 
³unfinished² lines 
basic shapes
abstract shapes 
2D shapes (flat)
3D shapes (solids) 
Geometric, amorphous, representational shapes

DIMENSIONS
2D
planar
varied
decorative 
3D
Positive (up)
negative (down)
Volume

Direction

Attention
Rorschach (inkblot) test 
PERSPECTIVE SYSTEMS
Static
One point
Two points 
Three points 
Converging, receding

Inverse
Forced
or
³4D²
VALUE
Light
shadow 
Chromatic or Achromatic
Descriptive use of value:
Psychological:
expressive dramatic 
Plastic value: to describe volume & space 
Expressive value:
Gloom mystery contrast 
CHIAROSCURO is forceful use of contrasting light and dark
Violent chiaroscuro is named ³Tenebrism² (Caravaggio, Rembrandt)
Decorative value: ignores conventional light sources
Illumination
Oriental art Van Gogh 
Compositional functions:
2 dimensional patterns spatial unity (Matisse) 
Open & closed compositions:
CLOSED: values are limited by edge (art deco- light is limited by shape)

OPEN: values can cross over the shape (fog, haze- Impressionists)

TEXTURE
Surface character that can experienced through touch or
illusion of touch
Tactile experiences: 2D & 3D, smooth, rough, soft, hard

Types of texture:
Actual ³real thing² build or assembled (cubists)
Simulated
trompe Œl oeil (painted) 
Invented simulated, without reference (print dots) 
Texture and pattern
Texture is interpreted by light & dark, same as pattern.

Pattern suggests a repetition (random or controlled) aerial
photo

Texture and composition: is used to rest or attract the eye,
stimulate emotion, atmospheric perspective

In various media: Architecture (materials), ceramic
(glazes), Jewellery (techniques), sculpture (natural & artificial materials