SOCS-201
SOCS 201 - SU91: Intro to Cultural Theory
HUMN-100 and HUMN-101
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Magnolia Pauker, PhD Candidate, The Social Justice Institute, UBC + PhD(ABD), Philosophy, Media and Communications, The European Graduate School
Magnolia is lecturer in Critical and Cultural Studies at ECUAD on the unceded Coast Salish territories also known as Vancouver, Canada. Currently writing her dissertation entitled, “Philosophy as Radical Journalism: The Public Intellectual and The Rise of the Philosopher Journalist,” her practice takes up the philosophical interview as a model for critical engagement, knowledge production, and pedagogy. Sketching the contours of philosophy, cultural studies, and journalism, she is committed to working in response to the contemporary. In her ongoing dedication to learning in public, she co-facilitates a feminist free school with Randy Lee Cutler, Pleasure + Protest, Sometimes Simultaneously! Magnolia is co-editor of InterViews in Performance Philosophy: Crossings and Conversations, a collection of original essays and interviews with Judith Butler, Alphonso Lingis, Catharine Malabou, Avital Ronell, and others (Palgrave Macmillan 2017).
| Date / Time | Days | Room | Building |
|---|---|---|---|
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May 7-Jun 22 - |
VCLAS | ONLN |
SOCS 201 - SU92: Intro to Cultural Theory
HUMN-100 and HUMN-101
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Magnolia Pauker, PhD Candidate, The Social Justice Institute, UBC + PhD(ABD), Philosophy, Media and Communications, The European Graduate School
Magnolia is lecturer in Critical and Cultural Studies at ECUAD on the unceded Coast Salish territories also known as Vancouver, Canada. Currently writing her dissertation entitled, “Philosophy as Radical Journalism: The Public Intellectual and The Rise of the Philosopher Journalist,” her practice takes up the philosophical interview as a model for critical engagement, knowledge production, and pedagogy. Sketching the contours of philosophy, cultural studies, and journalism, she is committed to working in response to the contemporary. In her ongoing dedication to learning in public, she co-facilitates a feminist free school with Randy Lee Cutler, Pleasure + Protest, Sometimes Simultaneously! Magnolia is co-editor of InterViews in Performance Philosophy: Crossings and Conversations, a collection of original essays and interviews with Judith Butler, Alphonso Lingis, Catharine Malabou, Avital Ronell, and others (Palgrave Macmillan 2017).
| Date / Time | Days | Room | Building |
|---|---|---|---|
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May 7-Jun 22 - |
VCLAS | ONLN |
SOCS 201 - S093: Intro to Cultural Theory
HUMN-100 and HUMN-101
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Chris's research interests extend from the histories of the image as an aesthetic, political, and epistemological discourse. He writes and lectures on the concept of methodology in art as a step toward a non-disciplinary epistemology that recognizes art knowledge.
Chris's art practice is rooted in photography. Addressing the medium as a primary form of technical image-making, he explores its inherent questions about time and space by composing performative lectures that guide audiences through a sequence of "deep-res" pictures. Vignettes of video, music, and spoken word are combined in a narrative form that appeals to poem, essay, and film. His work has been exhibited internationally.
Previously, Chris served as the Director of the Jake Kerr Faculty of Graduate Studies. In 2010, he led the implementation of Emily Carr's Low Residency Masters program.
| Date / Time | Days | Room | Building |
|---|---|---|---|
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Jan 8-Apr 20 - |
VCHAT | ONLN | |
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Jan 8-Apr 20 - |
VLECT | ONLN |
SOCS 201 - S095: Intro to Cultural Theory
HUMN-100 and HUMN-101
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Chris's research interests extend from the histories of the image as an aesthetic, political, and epistemological discourse. He writes and lectures on the concept of methodology in art as a step toward a non-disciplinary epistemology that recognizes art knowledge.
Chris's art practice is rooted in photography. Addressing the medium as a primary form of technical image-making, he explores its inherent questions about time and space by composing performative lectures that guide audiences through a sequence of "deep-res" pictures. Vignettes of video, music, and spoken word are combined in a narrative form that appeals to poem, essay, and film. His work has been exhibited internationally.
Previously, Chris served as the Director of the Jake Kerr Faculty of Graduate Studies. In 2010, he led the implementation of Emily Carr's Low Residency Masters program.
| Date / Time | Days | Room | Building |
|---|---|---|---|
|
Jan 8-Apr 20 - |
VCHAT | ONLN | |
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Jan 8-Apr 20 - |
VLECT | ONLN |
SOCS 201 - S092: Intro to Cultural Theory
HUMN-100 and HUMN-101
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Chris's research interests extend from the histories of the image as an aesthetic, political, and epistemological discourse. He writes and lectures on the concept of methodology in art as a step toward a non-disciplinary epistemology that recognizes art knowledge.
Chris's art practice is rooted in photography. Addressing the medium as a primary form of technical image-making, he explores its inherent questions about time and space by composing performative lectures that guide audiences through a sequence of "deep-res" pictures. Vignettes of video, music, and spoken word are combined in a narrative form that appeals to poem, essay, and film. His work has been exhibited internationally.
Previously, Chris served as the Director of the Jake Kerr Faculty of Graduate Studies. In 2010, he led the implementation of Emily Carr's Low Residency Masters program.
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| Date / Time | Days | Room | Building |
|---|---|---|---|
|
Jan 8-Apr 20 - |
VCHAT | ONLN | |
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Jan 8-Apr 20 - |
VLECT | ONLN |
SOCS 201 - S094: Intro to Cultural Theory
HUMN-100 and HUMN-101
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Chris's research interests extend from the histories of the image as an aesthetic, political, and epistemological discourse. He writes and lectures on the concept of methodology in art as a step toward a non-disciplinary epistemology that recognizes art knowledge.
Chris's art practice is rooted in photography. Addressing the medium as a primary form of technical image-making, he explores its inherent questions about time and space by composing performative lectures that guide audiences through a sequence of "deep-res" pictures. Vignettes of video, music, and spoken word are combined in a narrative form that appeals to poem, essay, and film. His work has been exhibited internationally.
Previously, Chris served as the Director of the Jake Kerr Faculty of Graduate Studies. In 2010, he led the implementation of Emily Carr's Low Residency Masters program.
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| Date / Time | Days | Room | Building |
|---|---|---|---|
|
Jan 8-Apr 20 - |
VCHAT | ONLN | |
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Jan 8-Apr 20 - |
VLECT | ONLN |
SOCS 201 - S091: Intro to Cultural Theory
HUMN-100 and HUMN-101
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Chris's research interests extend from the histories of the image as an aesthetic, political, and epistemological discourse. He writes and lectures on the concept of methodology in art as a step toward a non-disciplinary epistemology that recognizes art knowledge.
Chris's art practice is rooted in photography. Addressing the medium as a primary form of technical image-making, he explores its inherent questions about time and space by composing performative lectures that guide audiences through a sequence of "deep-res" pictures. Vignettes of video, music, and spoken word are combined in a narrative form that appeals to poem, essay, and film. His work has been exhibited internationally.
Previously, Chris served as the Director of the Jake Kerr Faculty of Graduate Studies. In 2010, he led the implementation of Emily Carr's Low Residency Masters program.
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| Date / Time | Days | Room | Building |
|---|---|---|---|
|
Jan 8-Apr 20 - |
VCHAT | ONLN | |
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Jan 8-Apr 20 - |
VLECT | ONLN |
