drawing

E:P:H:E:M:E:R:A:L architecture

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A drawing - based research on postdigital visualization.
https://www.academia.edu/11761375/Drawing_Postdigital_Space

 

 

 

 

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UnBecoming: An Annotated Exhibition

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This exhibition features a new series of large-scale, drawing-based digital prints investigating the problematics of self-portraiture, along with an installation that annotates my creative process within the development of this work.

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Medicine Maker

Thy Creature

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This project responds to Mary Shelley’s 1818 novel, Frankenstein. The creature at the heart of this story is an object of both fascination and revulsion. Like all monsters, he exists outside of normative standards and in doing so represents our most fearful selves.

The drawings are based on Boris Karloff’s performance of the monster, within James Whales’ Frankenstein films from the 1930s. Karloff's iconic representation has come to stand for the very idea of a monster.

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diviNation | YK Festival 2014 | feature artist

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diviNation 2014 | Cinevolution Media + Art Society
Your Kontinent Festival | RIchmond Summer 2014

http://divination2014.tumblr.com/

 

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All that was left

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Installed at the Roundhouse Community Centre (Vancouver) as part of the annual Memory Festival, this installation represented fragmented words and phrases taken from the other artworks and theatre projects in the festival.  All that was left explored the limits of language as a vehicle for memory.

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The Gaze of History

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The Gaze of History exhibition presented a series of prints and drawings from the Burnaby Art Gallery's collection that considered the gaze and directed looking. The powdered graphite faces I drew directly on the walls of the gallery interacted and responded to these framed works and represented the real and imagined former residents of this building.

“Fairacres,” as it was first known, was built as a retirement estate by Vancouver realtor Henry Ceperley and his wife Grace in 1910. Prior to its conversion to the gallery in 1967, the mansion housed a succession of wealthy families, beginning with the Ceperleys (1910-1939), a community of Benedictine monks (1939-1954), a controversial religious cult (1954-1965) and a university fraternity (1965-1966).

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Altar Piece

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Miexed media installation

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Drawing Food

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A series of drawings that practice depicting food in various mediums.

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