Drawing 2D Language - Vjeko Sager

PROJECTS - PDF files

PROJECT 01 LINK

PROJECT 02 LINK

PROJECT 03 LINK

PROJECT 04 LINK

DRAWING TIPS (handouts) PDF file

Rules for class participation:
• No missed classes without a doctor’s note
• Each student will participate in each class
• All students are to track the discussion and have completed all assignments.


Grading class participation:
• Class participation is crucial to success in this class. Participation means showing up for each class having completed the assignments, asking questions about anything that seems unclear or objectionable, offering responses, and listening to the responses of others.
Evaluation of participation falls into the following categories:


A-range:
• Regularly makes helpful, relevant contributions to the discussion or critique.
• Occasionally offers observations that challenge other participants to think about the material in new ways.
• Actively particpates in group collaboration discussions.
B-range:
• Occasionally makes helpful, relevant contributions to the discussion or critique.
• Actively participates in group collaboration discussions.
C-range:
• Attends regularly and actively pays attention to the discussion or critique.
• Occasionally contributes to group collaboration discussions.
D or F-range:
• Does not attend regularly.
• Does not pay attention to the discussion or critique.
• Does not contribute to group collaboration discussions.


Modifers:
• Missing more than two classes will lower your grade.
• Being totally distracted or inattentive will lower your grade.


Making contributions to discussion means:
• Asking questions about things said in class, that are unclear or confusing.
• Offering answers to questions asked by others in class.
• Making claims or observations about the issues being discussed.
• Offering support, criticisim, modification, or clarification for claims being discussed.
• Bringing in new ideas.
• Helping us understand the issues being discussed.
• Redirecting our attention to the topic.
• Keeping us “on track.”
• Changing the subject when needed.


SKETCHBOOK ETHICS

1. Never live without a sketchbook.
2. Work in your sketchbook daily; date each drawing.
3. Use your sketchbook like a diary for remembering places you have been with sketches, cutting and pasting and writing.
4. Related artwork found in magazines, newspapers, flyers should be pasted in your sketchbook with your comments.
5. Review museum shows, art-related TV programs, notes on art books and magazines you have skimmed.
6. Copy master drawings and sign them “After _________” (the artist’s name and important data).
7. Thumbnail sketches as preliminary drawings of class and homework assignments.
8. Use your sketchbook to explore media,
9. Practice sketching spaces & people as they move or sit around.
10. Drawings need not be “finished.” You need quantity of works and quality of observations in your sketchbook.
11. Make sure all loose work is pasted down so nothing will fall out of your book.
12. Carry your sketchbook with you at all times and to each drawing class (and beyond class). It will be evaluated periodically.
13. You may use the sketchbook for some homeworks and assignments.
14. If you are brave, exchange the sketchbook with another student.
15. Enjoy in creating a new habit.

 

 

 

 


 

 


 

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HEADSTART IN ART Fall 2011

Tuesdays/Coquitlam Secondary School


Session 1 - 13 September
Introduction to the Course
Perception and Observation methods and
other sighting techniques;
“how to start drawing”; introduction to the linear composition schemes Sketchpad
Various pencils

HOMEWORK: Fill-up the pocket size sketchbook in a week,using line and composition elements; follow a theme/concept

USEFUL LINKS

Moleskine journals online http://www.moleskinerie.com/

Artists sketchbooks online here

Drawing resources for teachers here

Drawing tutorials and links here

Drawing for beginners online lessons here

Wiki on drawing here


Session 2 - 20 September
Tonal drawing; working with light and shadow
(gray scale); basic shading techniques;:
hatching, crosshatching, blending & stippling
Various pencil Natural and synthetic charcoal HOMEWORK:
Construct a still life and draw every day (for a week) using the same light source and combination of various shading techniques

Materials: charcoal, conte crayons

USEFUL LINKS

Erasure techniques here

Chiaroscuro definition on studiochalkboard here

Tone in pencil and charcoal here

Review & comparisons of drawing papers here

Instructions & tips & lessons here


Session 3 - 27 September
Composition & proportion:
Positive/Negative space; measuring
Composition methods: cropping, symmetry, dynamics & other compositional strategies Charcoal, pencils, conte crayons
HOMEWORK: Working on Project 01


Session 4 - 4 October
Project 01 in class presentation

Session 5 - 11 October
Figure drawing (model)
Body parts: anatomy for artists (bones, muscles) head, hands & feet
HOMEWORK: Pencils, charcoal, conte crayons Self-portrait: “15 minutes of fame” using the erasure technique

USEFUL LINKS

Portrait online tutorials here

Figure drawing tutorial online here


Session 6 - 18 October
Figure drawing (model) body structure & proportions; body in motion
Abstraction & stylization techniques
Gesture Drawing Strategies;automatic drawing techniques, mark making .
Materials: pen & ink
Water based ink, pen and brush

HOMEWORK: Sketchbook swapping project:Send & Receive, a collaboration between two students. Preliminary sketches

USEFUL LINKS

Life drawing animated here

Gesture drawing here & wiki advice on gesture here


Session 7 - 25 October
Atmosphere and contrast
Gesture Drawing Strategies (brush & ink drawing) Rhythm, calligraphy, brushwork;
surfaces and textures; wash techniques

HOMEWORK: Sketchbook project cont.
Send & receive (collaborative diptych) final sketches

USEFUL LINKS

Pen & ink techniques here

more ink Techniques illustrated here

various drawing techniques & examples here

Perspective drawing lessons here

Illustrated lessons for teachers here


Session 8 - 1 November
Project 02 in class presentations

Session 9 - 8 November
Figure in space (model drawing)
relationships among forms in space;
ergonomics, body imprints;
Mixed techniques

HOMEWORK: Mixed techniques “Fashion victim” study using fashion design as inspiration

USEFUL LINKS

Blog on fashion here


Session 10 - 15 November
Figure in motion (model drawing)
Human figure as artistic inspiration,
dynamics & movement
Drawing for performance art
Action, intervention, time based art
; Stage design: costumed figure and the background
Mixed techniques


Session 11 - 22 November
Project 03 in class presentation
Introduction to PORTFOLIO preparation


Session - 29 November
Virtual and imaginary space (teamwork)
Chaos, dreams, fantasy as a creative inspiration; Surrealism & poetry & literature
Text and image combination; Mixed drawing techniques; HOMEWORK: Portfolio reviews (please bring selected works)

USEFUL LINKS

Lines & Colors Illustration blog here


session 13 - 6 December
Spatial projections: perspective rules, isometric rendering of space


Session 14 - 13 December
Mixed drawing techniques: in-class working on the final project

Help LINKS

Media art blog here

Download PDF Projections projections (9 MB)


Session 15 -Friday 16 December
Final project presentations

END OF THE COURSE