Karen Tam is a Montréal-based artist whose research focuses on the constructions and imaginations of ‘ethnic’ spaces through installations in which she recreates Chinese restaurants, karaoke lounges, opium dens, curio shops and other sites of cultural encounters. She has exhibited her work and participated in residencies in North America, Europe, and China, and has received grants and fellowships from the Canada Council for the Arts, Conseil des arts du Québec, Social Sciences & Humanities Research Council of Canada, and Fonds pour la formation de chercheurs et l’aide à la recherche. Tam was a finalist for the 2017 Prix Louis-Comtois, a finalist for the 2016 Prix en art actuel from the Musée national des beaux-arts de Québec, and long-listed for the 2010 and 2016 Sobey Art Awards. Upcoming projects include exhibitions with the Koffler Centre of the Arts, Varley Art Gallery, Griffin Art Projects, Campbell River Art Gallery, and Maison de la culture de Longueuil.

Tam holds an MFA in Sculpture from the School of the Art Institute of Chicago and a PhD in Cultural Studies from Goldsmiths, University of London. Her work is in museum and corporate collections like the Irish Museum of Modern Art, Musée des beaux-arts de Montréal, Musée d’art contemporain de Montréal, Collection Hydro-Québec, Collection Royal Bank of Canada, Microsoft Art Collection, and in private collections in Canada, United States, and United Kingdom.