work

  • 2013

    WOO Magazine's winter issue plays on the visual language of tablets, translated into print. Spreads from the next page are wrapped around the page, mimicking the seamless flow of tablet interfaces. 

    Designers: Matt Chan, Jacqueline Shaw, Sarah Wilson, Lan Yan

    Photos by: Jacqueline Shaw, Sarah Wilson

  • 2013

    A behavior change campaign to improve wellbeing, create community and improve safety at Vancouver Coastal Health extended care facilities.

  • 2012

    To reflect the new beliefs of Lynn Valley United, a new identity was created to better support the organization's values. 

  • 2012

    The poster makes use of typography to express the lyrics from the song Paradise by Coldplay. 

  • 2012

    Word on the Street Festival is held annual in major cities of Canada, celebrating literature and gathering enthusiasts every year. This fictitious identity plays on the idea of duality between the fun and imagination of stories, as well as the acknowledgement of history and depth behind novels and books. 

  • 2012

    Create your own event, bringing forth issues to the public: In the Netherlands, the tight-knit neighbourhoods cause denser housing, and a sparse sense of community. This event invitation invites neighbours to come together right on their street to join a communal dinner. The theme of the dinner is cooking with local plants, indigenous to the Netherlands.

  • 2012

    Every year, returning exchange students at Emily Carr University host an exhibition to share what they've learned and made during their exchange. This year, along with two other students, the 2011-2012 Exchange Show promotion series was created from illustrating the experience of culture shock through visuals.

  • 2011

    Pure Type is a compilation of typographic essays written in the past; the task was it create a universal layout for the four essays and allow expressive layouts unique to each work. 

  • 2011

    The project requirements for this work is to create a set of study cards for students beginning to learn about typography. The cards should be informative, unique to each typeface, and inspiring. In order for students to learn quickly, the key information should be easy to pick up and the material should be engaging in some manner. The cards are based on the concept of family crests. Each typeface belongs to a family, with distinct characters and features. The front displays the qualities in...