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Interlocutions

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Interlocutions derives from research concerning the use of printmaking technologies within Northwest Coast art in relation to Indigenous literary histories. These toner-based plotter prints depict texts written in response to works by Indigenous authors that negotiate the presence of the past within contemporary life.

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Station to Station

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Exploring the politics of representation, Station to Station is comprised of abstracted film stills created through the productive misuse of technology. Sourced from Kent Mackenzie’s film, The Exiles (1961), These images are made by scanning the film while it is being played on a portable digital video player: turning moving images into still ones. The documentary style film follows a small group of Indigenous people living in Los Angeles. Over a twelve-hour period, the film records their candid discussions of home, community, and future.

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Buffy Sainte-Marie (Illu­mi­na­tion: 1969/2013) Keeper of the Fire 03

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The pho­tographs which com­prise Inter­vals/Illumination are con­cerned with tech­no­log­i­cal medi­a­tion, the rela­tion of pho­tog­ra­phy to time and how the polit­i­cal dimen­sion of cul­tural prac­tice is expressed, artis­ti­cally or oth­er­wise.

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